20:00 Villa de Bank - iedereen welkom / everybody welcome -
Espoortstraat 182, Enschede (front: 1945 Boulevard)

Lezing / Lecture

20:00 Villa de Bank - iedereen welkom / everybody welcome -
Espoortstraat 182, Enschede (front: 1945 Boulevard)

Lezing / Lecture

curator/exhibition/space/villa de bank/

new media/old media/mixing/drawing/content/workshop/

Interested in drawing, audio and visual installation, as well as online trends and activities, Todd Matsumoto is interested in the mixing of these disciplines through the use of new and old media sources.

/the living/artist - astronaut/experimental directorate for the arts/

Artist Debra Solomon speaks about her latest cross disciplinary projects, looking for new spaces for artist creativity.

the museum/photography and death/empty figuration/dystopia/non-places/indirect experience/

Science fiction is the perfect genre for describing dystopia. Related to the well known themes of science ficton such as Apocalypse or the lost world, dystopia is the reverse of utopia; not a fantasy of an ideal and paradisaical world, but the spectre of an environment that is becoming increasingly inhuman. like utopia, dystopia is not a nonexistent or unthinkable place, but it is rooted in contemporary reality. J.G. Ballard is one of the masters of this genre, and two of his dystopic visions in particular seem to resonate in the painting of Carla Klein. [Anke Bangma]

Krijn de Koning (10.11.00)

>>Links Krijn de Koning Links>>

Work for Le Sous-sol gallery's stand at Austerlitz@utrement, 1997

galerie George Verney-Carron

de Vleeshal

Stedelijk Museum Bureau Amsterdam

Ecole regionale desbeaux-arts de Rennes

guest-lecture/studio-visits, Liquid City, GÅ Karel van der Sterren (19.10.00)

www.gekarel.com

Hacking is understood as the penetration, exploration or investigation of a system with the goal of understanding it, not of destroying it, and that is exactly what we are trying to do: to understand the border, to know what it represents and to become aware of the role that we play in it.

Instead of trying to dissolve the border, the goal of the camp is to apply to it a little reverse engineering, in other words, to try to understand its structure and to discover its workings.

11.00 hours: Short introduction by Klaar van der Lippe. Walk-through of workshop programme, what are we going to do and why. What's in it for the participants, what's in it for Klaar and how to optimally achieve this.
lunch
Give a 'pitch', how do you change the world? (A pitch is a short and snappy 'broadcast' statement.)I devote my life to art because...Imake art for...Through my art i hope to achieve...
Making a 'cloud of desire'. What role does our public play in this? What do we want from our public? What do we want to give them?
Making a stage.We have now formulated what it is we want to do and what it is we want for it in return.

programmas: DOTS,SHIFT
kleurenfiguratie op geluidwerende muur bij het expeditieknooppunt van de PTT tussen de kruisvaart en het spoorwegemplacement te utrecht 1980-1984

BOY- AND GIRL-STUDIO-VISITS
14+15/07/00

PETER STRUYCKEN STUDIO-VISITS PETER STRUYCKEN STUDIO-VISITS PETER STRUYCKEN

return to the amazone, Robert Preece (25.05.00)

why talk about artwork?

chinese contemporary art and its roots in two cultures

Qin Jian (13.04.00)

sunday 2: 20.00 meeting with D.A.I. artists at D.A.I. apartments
monday 3: 11.00 Introduction to G. M. Dault's Work 12.00 Studio - Visits
teusday 4: 11.00 the Edge of Absence: (seminar and group dialogue) the anxious trajectory of symbol, metaphor and myth in contemporary art. 12.00 Studio - Visits
wednesday 5: 11.00 the Return of Desire: (seminar and group dialogue)a look at pleasure in visual culture. is pleasure a trap or reward? 12.00 Studio - Visits
thursday 6: 11.00 Tall Orders: (seminar and group dialogue) on spirituality in contemporary art. a users guide to the sublime. 12.00 Studio - Visits. 19.00: My Crytical Time: (public presentation) Employing the double meaning of the title, this double edged discussion will extend from the autobiographical to the generalized profile of culture-at-large, concentrating on the role of critical language and performance in the colourization of that culture. does the critical performance matter? how is it best carried on in these pluralistic culturally intoxicating times?

Lecture, dept (06.03.00) \

DEPT plays the DUTCH ART INSTITUTE and the A.K.I. MEDIA ART DEPARTMENT

Oral Presentation, workshop Robert Preece (02.03.00)

Robert Preece [BA. MEd, MA] is an art and design journalist and educator based in amsterdam. He has contributed several pieces of writing to ARTnews, Sculpture, ART AsiaPasific, Asian Art News, Flash Art, Frame and World Sculpture News. He has tought the language of Art and Design and Art History at Temple University (philadelphia, USA), Parsons School of Design/Japan affiliate, Hong Kong Polytechnic University, and UCE-Birmingham Institute of Art and Design. (UK)

Introducing the Language of Art, workshop, Robert Preece (10.02.00)

various contemporary contexts: formal >>> social >>> economical >>> philosophical >>> environmental >>> religious >>> and how to discuss influences

Project Brainstorm by Debra Solomon, workshop - Oldenburg, Germany (23.01.00)

the_living Project Brainstorm : : : onsite and remote : : : future scenarios in the visualization lab : : : live interviews with individuals emerging from cryostasis : : : create and implement new rituals for cryogenic suspension : : : CALL NOW FOR INSTRUCTIONS : : : PUSH 50.000U : : : HEPARIN IV : : : AND DO CPR WHILE : : : COOLING WITH ICE : : : TO 10 DEGREES : : : CELSIUS. KEEP PH 7,5 : : : NO AUTOPSY OR : : : EMBALMING : : :

AKI2 + de Nieuwe Vide Haarlem announce: the New_Remote haarlem NL - Akureyri, Iceland (25.07.99)

You Are Here Exhibition, Ochtrup (05.06.99) White_OUT: Paradiso, Amsterdam (10.04.99)

Open Studios (12.02.99)

INTERAKCIJA (interaction) is the name of a group project which will take plac at the Gallery S.K.C. (Studentski Kulturni Centar) in Belgrade, Yugoslavia from January 12th 1999.

Interakcija is a work in progress. From the moment of the opening (January 12th) the installation will evolve. The daily programme includes video screenings, sound & light nights, live radio broadcasting, and a symposium.

For the duration of the the exhibition: live photo shoots and portraiting. Native woman and girls from Belgrade may apply!

A graphic representation of the installation environment will be updated constantly in the gallery. Bear witness to performances and works made from 'native' materials as well as sculptures from digital electromagnetic backup media such as video tape as they are created on the spot.

A documentary portraying the participants' impression of the current art situation in Belgrade will be made during the course of the exhibition by the two participants with the least camera experience.

Participating artists: Mima Orlovic (YU), Hans Klaverdijk (NL), Milos Jankovic (YU), Branislav Nikolic (YU), Hannelore Houdijk (NL) and Vicente Fita (E).

This group will invite other artists to take part in the activities.

INTERAKCIJA (interaction) is curated by Biljana Tomic from the Gallery S.K.C. in Belgrade and the AKI2 (MFA programme in Enschede, The Netherlands).

TArt Festival, Enschede (06.11.98)

The work of the Icelandic artist Steini Torsson is exhibited in the exposition hall of the AKI2. Torsson discovered and began using new media through the accidental discovery of an animation function in a simple computer drawing programme.

In contrast to his paintings in which only the end result is visible to the viewer, Torsson's animation function of the drawing programme allows the viewer to see the drawing actually evolve.

In Torsson's newest paintings one also witnesses the influence that working with new meda has had upon him in his work.

During Reset one can Torsson's computer animations on a large screen and in combination with his paintings.

This exhibition is the final exam project of Torsson's post graduate study in the AKI2 programme.